August Rhythms
Tuesday, February 24th, 2009The following is my finished essay for English 120: Reading & Writing the Modern Essay with Professor Ariel Watson. This particular unit is entitled “Writing about Place.”
Stripes and numbers, forests and lakes, long days and restless nights – the memories remain crisp. I remember the first time I stepped off of the bus at Fairview Lakes YMCA, up in the wilderness of northwest New Jersey. It was the August of 2004 and, fresh out of middle school, I had packed myself off to a weeklong band camp before my first marching band season. I had spent the previous weeks trying, and often struggling, to memorize the music, and now it was time to put those notes on the field.
There was a solitary map of the camp standing in the shifting shade of tall trees, framed by the sun-speckled ripples of the lake. I stood beside it quietly and watched as the other seventy members filed off the bus. I had seen their faces before, but they weren’t familiar. Many chattered excitedly – this was not their first band camp – while others, like me, stood sheepishly off to the side, uninvolved, unknowing, our hands in our pockets. Soon, I was walking up the gravel path to the cabins amidst the billowing dust and the cacophony of crunches that naturally accompany hundreds of footsteps. Insects and birds added their melodies to a raw, rhythmic soundscape so starkly different from the constant hum of suburbia. The loose canopy of leaves glowed in the midday sun, casting the rocks and fallen branches in an otherworldly green. This was the wilderness.
The cabins themselves were dark and humid. A single bulb in the middle of the room flickered slowly to life, illuminating ten blue mattresses in five bunks arranged along the sides of the room. There were small windows above each of the mattresses, letting in enough light to reflect off the dust particles, floating like snowflakes. I climbed up the dusty ladder to my bunk, spread out my sleeping bag, and sat at the edge, swinging my feet and chatting excitedly with my cabin-mates. We spent the afternoon exploring the cabin. To us, it was a novelty – even the dullest of details sprang to life. We opened toilet stalls, peered into the poorly lit shower, and fought over the cubbies that separated each bunk.
The call to dinner took us back down the gravel path to the mess hall, where we were introduced to its unfamiliar mustard-yellow floor tiles, pale orange walls, and chipped wooden tables. The spattering clanks of plastic and the chatter of a dozen simultaneous conversations soon filled the room as everyone grabbed a cup. A parade of camp workers brought out one steaming pan of food after another, and the drum major called the seniors to eat. We freshmen could only sip on our drinks – bug juice, the juniors called it – while we waited for our turn.
The next day was our first on the field. There was no shade here from the merciless August sun. My sweaty palms clutched my instrument loosely as we learned how to march. The sun and the swarms of mosquitoes crushed my expectations, and the romance of band camp soon disappeared. There was nothing fun about wiping beads of sweat with an arm already drenched in it. There was nothing exciting about forgetting to stop on the 40-yard-line the third time in a row. And there was definitely nothing romantic about the fourth “one more time” before a water break. Over the course of the week, we gained an intimate knowledge of that field. Its features are still familiar: the large patch of dirt by the left 20-yard-line, the baseball diamond in the back left corner, the shade of the two trees on the sideline that became the holy site for our water-break pilgrimages.
We spent our nights working on our music throughout the camp, divided into sections by instrument. My section chose a spot underneath a streetlight, facing the lake. Beyond the conical glow of the yellow light, the moon washed everything in pale blue. In that darkness, we played our music. We played to the invisible dragonflies that cut creases into the lake’s calm ripples, to the bats that flocked to thrown rocks, to the unseen singers of lonely chirps. We chased after the sheet music blown like falling leaves by a chance gust. We became brothers and sisters by laughing at each other’s jokes, by listening to the stories of bygone band camps, by playing our music in perfect unison.
Twelve months later, I returned. No longer a freshman, I stepped off the bus surrounded by my closest friends, all of us giddy with anticipation. Once again, we organized ourselves next to that map before heading up to the now-familiar cabins. Confident with experience, we didn’t stay in our cabins long. We threw a frisbee between and around other cabins. We helped unload the truck and deliver luggage to the freshmen, who sat on their bunks, swinging their legs.
The week progressed much differently this time around. No longer constrained by the novelty of the experience, we enjoyed the week more viscerally. The field faded in importance, and we approached our rehearsal time with ease rather than struggle. Instead, we looked forward to and relished our breaks, eagerly exploring the recreation the camp provided.
On the third day, we took a canoe and rowed it out to the middle of the lake. There was something soothing about the rhythmic swings and surges that accompanied each stroke of the oar, something relaxing about the smooth curls of waves that radiated from the tip of the canoe as we slid through the water. In the chaotic symphony of splashes and laughter we didn’t notice that we had entered perfect serenity. There was something tangibly peaceful about bobbing up and down in the middle of the lake, surrounded by nothing but water for a hundred yards each way. The same soft breeze that created the ripples in the water caressed our skin, and the same sun that lit the water’s crests in a warm yellow flame warmed our bodies. I leaned back and lied on the bottom of the canoe, ignoring the puddle of cold water that seeped through my t-shirt. I squinted and followed the gradient of the sky from clear blue to blinding white. A hawk crossed under the sun. I followed its graceful glide until it disappeared into the thick forest, then counted the trees into the hills until they became a messy blob of green and brown. An hour later, we slowly rowed back to the shore and went back to work.
Before I returned for my third year at camp, I was chosen as the drum major. Once again, my experience at camp was defined by rehearsal and the time I spent in front of my peers. I no longer noticed the cool wind ruffling the leaves or the midnight whisper of a nocturnal animal outside my window at night. The landscape had shifted – instead of the green and brown of trees and hills or the blue and white of the lake, I saw faces on the field. I watched them march, the uneven lines connecting their bodies shifting from squares to triangles to sliding slants across the stark, white lines. During breaks, I sat on my podium, observing their interactions, their laughter, their frolicking. The shade of those two trees that once shielded me from the sun became lines on the ground, outlining the group of kids seeking solace from that same overbearing sun. Their arms and legs crossed and touched to create a lattice, blending to form a remarkably new landscape.
And then it was over. I heard the last thud of a piece of thrown luggage as it hit the pile in the truck, the crash of the back door as it locked into place, and the rumble of the busses as they rolled down the driveway to pick us up. I also heard things fade: the blare of a trombone’s note piercing into the distance, the shrill of a flute rising into the air, the groove of several dozen pairs of feet shifting in unison. Everywhere I went that last day, things seemed still. In the cabins, I listened for the shuffle of kids jumping off their mattresses, but only saw freshly mopped floors and bare mattresses. In the mess hall, I listened for people clanking their plastic cups as they waited for a meal, but only saw chairs stacked neatly on the tables. At the lake, I listened for the smooth sound of four canoes splashing through the lake, but only saw the gleam of the setting sun slicing across the water. But when I listened to the doors of the bus close, and when I felt the wheels shake over uneven pavement as it pulled away from band camp, I only saw an empty camp and a lonely map, growing ever smaller.


